Gerard David

b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.
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Gerard David The Flaying of the Corrupt Judge Sisamnes (mk45) oil


The Flaying of the Corrupt Judge Sisamnes (mk45)
Painting ID::  25925 		The Flaying of the Corrupt Judge Sisamnes (mk45)
1498/99 Oil on panel 182x159cm Bruges,Groenigemuseum
1498/99 Oil_on_panel 182x159cm Bruges,Groenigemuseum
   
   
     
Gerard David Virgo inter Virgines oil


Virgo inter Virgines
Painting ID::  26730 		Virgo inter Virgines
mk52 c.1509 Oil on wood 120x213cm Musee des Beaux-Arts,Rouen
   
   
     
Gerard David Detail from the Virtgo ivter Virgines oil


Detail from the Virtgo ivter Virgines
Painting ID::  26731 		Detail from the Virtgo ivter Virgines
mk52
mk52
   
   
     
Gerard David Rest on the Flight into Egypt oil


Rest on the Flight into Egypt
Painting ID::  28144 		Rest on the Flight into Egypt
mk61 Oil on canvas 60x39cm
mk61 Oil_on_canvas 60x39cm
   
   
     
Gerard David The Virgin Embracing the Dead Christ oil


The Virgin Embracing the Dead Christ
Painting ID::  29183 		The Virgin Embracing the Dead Christ
mk65 Oil on panel 14x17'
mk65 Oil_on_panel 14x17'
   
   
     
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     Gerard David
     b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.

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